Distinct Rhythmic Competencies Identified via Internet-Based Assessment.
The 12 matches
- [1] § Results › Links With Questionnaire Data ↔ Scripts and Data/04_Correlation_Regression_Analysis_OSF.R, lines 44–84 · score 0.87 · trouble recognizing songs, logistic regression, predicted cluster, good dancer, weak rhythm, strong rhythm
- [2] § Materials and Methods › Participants ↔ Scripts and Data/04_Correlation_Regression_Analysis_OSF.R, lines 1–41 · score 0.80 · formal dance training, high school, formal music training, bachelor, college, master
- [3] § Materials and Methods › Tasks › Questionnaire ↔ Scripts and Data/04_Correlation_Regression_Analysis_OSF.R, lines 154–199 · score 0.73 · trouble recognizing songs, good dancer, musical beat, lyrics, rarely, tune
- [4] § Materials and Methods › Analysis › Principal Component and Hierarchical Cluster Analyses ↔ Scripts and Data/03_MachineLearning_MultinomialRegression_PerceptionANDProduction_OSF.R, lines 107–151 · score 0.69 · Multinominal logistic regression, cross validated, LOOCV, model, accuracy, trained
- [5] § Results › Principal Component Analysis—Perception Tasks ↔ Scripts and Data/01_PCA_Analysis_OSF.R, lines 174–217 · score 0.69 · Paced_Music1_rev, Paced_Music2_rev, Unpaced_rev, principal components, perception variables, BbMAT
- [6] § Results › Principal Component Analysis—Perception Tasks ↔ Scripts and Data/01_PCA_Analysis_OSF.R, lines 220–286 · score 0.64 · complex beat extraction, general rhythm perception, beat alignment, sequence, memory, Dimension
- [7] § Materials and Methods › Analysis › Principal Component and Hierarchical Cluster Analyses ↔ Scripts and Data/02_Cluster_testing_n=300_OSF.R, lines 229–273 · score 0.63 · Games Howell, oneway.test, musical training, unequal, Cohen, Levene
- [8] § Materials and Methods › Analysis › Principal Component and Hierarchical Cluster Analyses ↔ Scripts and Data/03_MachineLearning_MultinomialRegression_PerceptionANDProduction_OSF.R, lines 2–44 · score 0.60 · multinomial logistic regression, cluster membership, predicted, Hierarchical, PCA
- [9] § Materials and Methods › Analysis › Principal Component and Hierarchical Cluster Analyses ↔ Scripts and Data/01_PCA_Analysis_OSF.R, lines 44–82 · score 0.55 · good dancer, production variables, reversed, ITI, PM2, PM1
- [10] § Results › Descriptive Results ↔ Scripts and Data/05_Supp_Material_OSF.R, lines 102–173 · score 0.55 · FA rates, response bias, phase, hits, accuracy, prime
- [11] § Results › Principal Component Analysis—Perception Tasks ↔ Scripts and Data/03_MachineLearning_MultinomialRegression_PerceptionANDProduction_OSF.R, lines 46–105 · score 0.54 · Paced_Music1_rev, Paced_Music2_rev, Unpaced_rev, BbMAT, scores, variables
- [12] § Materials and Methods › Analysis › Principal Component and Hierarchical Cluster Analyses ↔ Scripts and Data/04_Correlation_Regression_Analysis_OSF.R, lines 154–199 · score 0.52 · good dancer, musical beat, production tasks, ITI, PM2, PM1
Paper
Loaded from Europe PMC by your browser, not stored by OSCR: doi.org · Europe PMC
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The authors' code
R · 201 lines · 10 KB · no license · 4 matches
04_Correlation_Regression_Analysis_OSF.R, no license · at the source
Overview
- Université Bourgogne Europe, CNRS, LEAD, UMR5022 Dijon France
- Université Claude Bernard Lyon 1, INSERM, CNRS, Centre de Recherche en Neurosciences de Lyon CRNL U1028 UMR5292 Bron France
- The MARCS Institute for Brain, Behaviour and Development Western Sydney University Sydney Australia
- International Laboratory for Brain, Music, and Sound Research (BRAMS) Montreal Canada
- Department of Psychology University of Montreal Montreal Canada
- Centre for Research on Brain Language and Music (CRBLM) Montreal Canada
- Department of Otolaryngology‐Head & Neck Surgery Vanderbilt University Medical Center Nashville Tennessee USA
- Department of Hearing and Speech Sciences, VUMC Vanderbilt Brain Institute Vanderbilt University Nashville Tennessee USA
- VIZJA University Warsaw Poland
Abstract
Rhythm is a fundamental element of music that recruits perception and production pathways in the brain, and occurs across different timescales. Research suggests that rhythmic processing is composed of several related, yet potentially distinct competencies, including perception, production, beat‐based processing, and sequence memory‐based processing. Based on a recent lab‐based study by Fiveash et al., the current experiment investigated whether these distinctions could be replicated with more participants (n = 300) completing an internet‐based protocol, with the potential to be scaled up to larger samples. Production tasks included unpaced tapping and paced tapping to music (from the Battery for the Assessment of Auditory Sensorimotor and Timing Abilities). Perception tasks included the beat alignment test, the Burgundy best Musical Aptitude Test (synchronization), and the beat‐based advantage task. Principal component analyses revealed strong overlap across tests. However, separations were shown between perception and production tasks, and unpaced and paced tapping tasks. Cluster analyses revealed participants with different rhythmic profiles, for example, (1) strong beat‐based rhythm perception, weak sequence memory‐based rhythm perception; and (2) strong production, weak perception. These results have implications for future research investigating individual differences in general and clinical populations, with the potential to guide clinical interventions.
Reproduced under the paper's license (CC BY), from the paper cited above.
Repository
Its files are read in the Code ↔ Paper reader above, with 12 matches between paragraphs and lines of code.
OSF 4r5hd
Availability: 1 check, the latest on 26 September 2026: the link answers (HTTP 200)
- 26 September 2026: the link answers (HTTP 200)
5 files, to read at the source
This repository has no license: its authors keep all rights. Read it at the source.
- Scripts and Data/
01_PCA_Analysis_OSF.R — R, 286 lines, 3 matches, not shown here - Scripts and Data/
02_Cluster_testing_n= — R, 492 lines, 1 match, not shown here300_OSF.R - Scripts and Data/
03_MachineLearning_Multi — R, 291 lines, 3 matches, not shown herenomialRegression_Percept ionANDProduction_OSF.R - Scripts and Data/
04_Correlation_Regressio — R, 201 lines, 4 matches, not shown heren_Analysis_OSF.R - Scripts and Data/
05_Supp_Material_OSF.R — R, 296 lines, 1 match, not shown here
The paper's code and data availability statement is in the Data section.
Tracing map
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Data
No dataset and no data link were found in the paper.
Data Availability Statement
All data and scripts used in the current analysis are available here: https://
Reproduced under the paper's license (CC BY), from the paper cited above.
Versions
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Version 3, 28 September 2026
- Publisher: — → Wiley
Version 1, 27 September 2026: the first record
Recorded: type, language, journal, volume, issue, pages, dates, 5 authors, 7 keywords, 11 MeSH terms, 4 funders, 71 references.
Cite
This paper
Fiveash, A., Foster, N. E. V., Gordon, R. L., Dalla Bella, S., & Tillmann, B. (2026). Distinct Rhythmic Competencies Identified via Internet-Based Assessment. Annals of the New York Academy of Sciences, 1562(1), e70372. https://
BibTeX
@article{fiveash2026dist
author = {Fiveash, Anna and Foster, Nicholas E. V. and Gordon, Reyna L. and Dalla Bella, Simone and Tillmann, Barbara},
title = {{Distinct Rhythmic Competencies Identified via Internet-Based Assessment}},
journal = {Annals of the New York Academy of Sciences},
year = {2026},
month = aug,
volume = {1562},
number = {1},
pages = {e70372},
publisher = {Wiley},
issn = {0077-8923},
doi = {10.1111/
url = {https://
pmid = {42579275},
pmcid = {PMC13460242}
}
RIS
TY - JOUR
AU - Fiveash, Anna
AU - Foster, Nicholas E. V.
AU - Gordon, Reyna L.
AU - Dalla Bella, Simone
AU - Tillmann, Barbara
TI - Distinct Rhythmic Competencies Identified via Internet-Based Assessment
T2 - Annals of the New York Academy of Sciences
J2 - Ann N Y Acad Sci
PY - 2026
DA - 2026/
VL - 1562
IS - 1
SP - e70372
SN - 0077-8923
PB - Wiley
DO - 10.1111/
UR - https://
LA - en
ER -
CSL-JSON
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